Dubois feeds ten years of emissions data directly into an algorithmic composition system, then projects the resulting patterns onto a structure built from ocean-collected plastic. Carbon Negative I does not visualize statistics as graphs — it makes them atmospheric, spatial, a climate that the viewer physically enters and cannot step out of unchanged.
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The Dialogue of Form and Space
Every artwork is an extraction of time, captured in a deliberate balance of texture, form, and light. It exists not merely as a visual object, but as an open invitation to perceive the unseen—a bridge between the artist’s inner landscape and the quiet contemplation of the observer.
Through a meticulous layering of medium and intent, this piece challenges the boundaries of its own surface. The deliberate composition guides the eye across subtle transitions, creating a rhythm that shifts depending on the environment, the time of day, and the perspective of those who stand before it. It is a silent dialogue, preserved in its purest form, meant to anchors itself within the space it inhabits.
"Data tells us what is happening, but art makes us feel it. I want to turn numbers into shadows and light, forcing us to look at the footprints we leave behind."
Specialized in digital-physical hybrid sculptures, Chloé Dubois uses recycled ocean plastics and interactive projection mapping to visualize environmental data. Her immersive pieces turn cold climate statistics into deeply moving, sensory experiences.
Artworks from
Chloé Dubois
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