A debris field is what remains after a collision. Dubois maps the Great Pacific Garbage Patch using satellite density data, translating each square kilometre of surface concentration into a distinct material object. The installation occupies thirty-two square metres. The Patch occupies 1.6 million square kilometres. Everything is to scale.
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The Dialogue of Form and Space
Every artwork is an extraction of time, captured in a deliberate balance of texture, form, and light. It exists not merely as a visual object, but as an open invitation to perceive the unseen—a bridge between the artist’s inner landscape and the quiet contemplation of the observer.
Through a meticulous layering of medium and intent, this piece challenges the boundaries of its own surface. The deliberate composition guides the eye across subtle transitions, creating a rhythm that shifts depending on the environment, the time of day, and the perspective of those who stand before it. It is a silent dialogue, preserved in its purest form, meant to anchors itself within the space it inhabits.
"Data tells us what is happening, but art makes us feel it. I want to turn numbers into shadows and light, forcing us to look at the footprints we leave behind."
Specialized in digital-physical hybrid sculptures, Chloé Dubois uses recycled ocean plastics and interactive projection mapping to visualize environmental data. Her immersive pieces turn cold climate statistics into deeply moving, sensory experiences.
Artworks from
Chloé Dubois
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